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Oscillation :​:​: Public Address 3

by Jasmine Guffond / Peter Kutin & Stan Maris

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1. Jasmine Guffond
This is a live recording of Listening to Listening to Listening, an installative performance by Jasmine Guffond for Oscillation Festival 2022. Jasmine performed cut ups, random loopings and pitch manipulations of field recordings made by Margherita Brillada in and around the Zonneklopper building. Transmitted via transducers attached to specific points within Zonneklopper’s Salle Mouvement, this DIY acousmonium intended to engage sound’s potential to activate and resonate the materiality of the room itself. Sound at once singular and universal affects individual bodies and matter uniquely while enveloping all at once through different intensities. What could it mean to listen collectively yet non-equivalently as the audience is invited to listen not only to the building but to Jasmine listening to Margherita. Could listening to listening be a technique for the appreciation of difference?
Live recorded on 1/5/2022 at Zonneklopper, Brussels.

2. Peter Kutin & Stan Maris
First collaboration between electronic musician & composer Peter Kutin and accordionist Stan Maris. The improvised concert circled around Kutin’s Light-to-Noise Feedback System.
Live recorded on 30/4/2022 at Zonneklopper, Brussels.

The pieces were performed on the occasion of the festival
Oscillation ::: Public Address 2022.
Oscillation Festival is a project by Q‑O2 werk­plaats.

Recording Jasmine Guffond by: Caroline Profanter
Recording Peter Kutin & Stan Maris by: Ludo Engels
Mastered by: Christophe Albertijn

Artwork by: Henry Andersen


released November 13, 2022


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umland editions / Q-O2 Brussels, Belgium

umland editions is an independent publisher of audio and reading materials on sonic cultures, artistic creation, and critical reflection. Its focus is on music and sound art, at the same time seeking connection to adjacent artistic and scientific fields. umland editions publishes materials in a variety of media and styles, dedicated to a diverse audience. ... more

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